Sunday, September 20, 2020

Overview of selected work 1983 - 2023



In Praise of Shadows (Proprioception), 2020, acrylic on denim, 
28 x 28 in.


Stereo Shape Series, 2015 - 2018




Smith Piero (Red), 2018, acrylic on canvas, 46 x 46 in.



Hofmann (Yellow), 2016, acrylic on canvas, 46 x 46 in.


Sotatsu (Blue), 2015, acrylic on canvas, 46 x 46 in.



Stereo Float Series, 2008 - 2018


Double JA, 2017, inkjet print, 12 x 14 in.



Korin, 2014, acrylic on wood panel, 3.5 x 7 in.



Double Diao Stereo Float, 2013, acrylic, graphite on paper, 12 x 18 in.
Exhibited: New Views, FIT, New York, 2015.



Double Lee, 2013, inkjet print, 12 x 14 in.
Exhibited: Fall Exhibition, Torche Galerie, Belmar, NJ, 2013.



Stereo Float (Silverman), 2013, acrylic on linen, 22 x 22 in.



Stereo Float Field Yellow Small, 2009, acrylic on linen, 36 x 36 in.
Exhibited: Stereo Float Field Paintings (What's Up with Red, Yellow, and Blue?), M55 Art, Long Island City, NY, 2009.


Stereo Float Field Red, 2009, acrylic on linen, 55 x 55 in.
Exhibited: Stereo Float Field Paintings (What's Up with Red, Yellow, and Blue?), M55 Art, Long Island City, NY, 2009.


Stereo Float Field Yellow, 2009, acrylic on linen, 55 x 55 in.
Exhibited: Stereo Float Field Paintings (What's Up with Red, Yellow, and Blue?), M55 Art, Long Island City, NY, 2009.


Stereo Float Field Blue, 2008, acrylic on linen, 55 x 55 in.
Exhibited: Stereo Float Field Paintings (What's Up with Red, Yellow, and Blue?), M55 Art, Long Island City, NY, 2009.

















Study for Float Field, 2008, acrylic, graphite on paper, 11 x 8.5 in.
Exhibited: Stereo Float Field Paintings (What's Up with Red, Yellow, and Blue?), M55 Art, Long Island City, NY, 2009.



Shape Ground Series, 1996 - 2002


Mosaic Law, 2002, acrylic on linen, 24 x 24 in.
Exhibited: 7 Grays, Paula Cooper Gallery, New York, 2002.


Enough is Enough!, 1999, acrylic on linen, 66 x 66 in.
Exhibited: New York Foundation for the Arts Painting Fellows 2000, Sotheby’s, NY, 2001.


Gothicism, 1999, acrylic on linen, 66 x 66 in.
Exhibited: New York Foundation for the Arts Painting Fellows 2000, Sotheby’s, NY, 2001.


American Hybrid, 1998, acrylic on canvas, 66 x 66 in.


Ballad of Sexual Dysfunction, 1996, acrylic on canvas, 66 x 66 in.


Untitled (You Get What You Get), 1996, acrylic on burlap, 24 x 24 in.


Secret of the Universe, 1996, acrylic on burlap, 24 x 24 in.



Bussoge Series, 1995


From the Bussoge Series: Shusui Sanshoku (You See What You See), 1995, acrylic on canvas, 78 x 78 in.
Exhibited: Ed Albers, John Allen, and Charles Yuen, paintings, Rodriguez deGranier Gallery, New York, 1998.


From the Bussoge Series: Flowers and Clowns in Hell, 1995, acrylic on canvas, 66 x 66 in.
Exhibited: Repetition Compulsion, Eighth Floor Gallery, New York, 1996.


From the Bussoge Series: (No Such Thing As) A Perfect World, 1995, acrylic on linen, 36 x 36 in.


From the Bussoge Series: A Heart Does Dangle, 1995, acrylic on linen, 36 x 36 in.



Circle Shape Series, 1993 - 1994


Holyfield, 1994, acrylic on canvas, 76 x 76 in.
Exhibited: That Enigmatic Object of Desire, Vandam Gallery, New York, 1994.



Now What?!, 1994, acrylic on canvas, 80 x 80 in.
Exhibited: That Enigmatic Object of Desire, Vandam Gallery, New York, 1994.


Beatrice, 1994, acrylic on linen, 24 x 24 in.


True Believers, 1994, acrylic on linen, 24 x 24 in.


The Picnic, 1993, acrylic on canvas, 42 x 42 in.


Ways of the Flesh, 1993, acrylic on canvas, 42 x 42 in.



Daisy Chain, 1993, acrylic on canvas, 36 x 36 in.



Hex Series, 1989 - 1992



Untitled, 1992, acrylic on canvas, 72 x 72 in.
Exhibited: Presentational Painting, Hunter College, New York, 1993.





Untitled, 1992, acrylic on canvas, 72 x 72 in.
Exhibited: Presentational Painting, Hunter College, New York, 1993.


Untitled (Light Blue), 1992, acrylic on panel, 48 x 48 in.


Untitled (Dark Blue), 1992, acrylic on panel, 48 x 48 in.


Split Elevens, 1992, acrylic on panel, 36 x 36 in.


Fixer Fixem, 1992, acrylic on panel, 36 x 36 in.






Dentata, 1992, acrylic on panel, 36 x 36 in.



Smoke in Your Eyes, 1992, acrylic on panel, 42 x 42 in.
Exhibited: Presentational Painting, Hunter College, New York, 1993.















Smokescreen, 1991, acrylic on panel, 42 x 42 in.
Exhibited: Presentational Painting, Hunter College, New York, 1993.




From Where We Come, 1990, acrylic on wood panel, 8.5 x 13 in.



Modernismo, 1989, acrylic on panel, 36 x 36 in.


Hidden Agenda, 1989, acrylic on panel, 24 x 24 in.
Private collection, New York.


Second Generation, 1989, acrylic on panel, 18 x 18 in.



First Generation, 1989, acrylic on panel, 18 x 18 in.
Private collection, Urbana, IL.



Camouflage Series, 1985 - 1988



Circumstance, 1987, enamel on wood panel, 18 x 18 in.
Exhibited: The Four Corners of Abstract Painting, White Columns, New York, NY, 1987 and International Gallery Invitational, Jacob Javits Center, New York, NY, 1988.


Synecdoche, 1988, enamel on wood panel, 43.5 x 43.5 in.




Genotype, 1988, enamel on wood panel, 20 x 29 in.



Phenotype, 1988, enamel on wood panel, 20 x 29 in.



Passion, 1987, enamel on two wood panels, 18 x 18 in. each.
Exhibited: Double Vision, Hallwalls, Buffalo, NY, 1988, and Longwood Arts Center, Bronx, New York, 1988.  Also Hastings-Ruff Gallery, Minneapolis, MN, 1992.



My Father Was a Soldier, 1987, enamel on wood panel, lead, 43 x 43 x 6 in.



Untitled (Black Camo), 1987, enamel on wood panel, 18 x 18 in.





Heartbreak, 1987, enamel on wood panel, 18 x 18 in.



Untitled (Champion). 1986-87, enamel on steel,  17.5 x 35.75 in.



Deployment, 1986, enamel on wood panel, 27 x 38 in.
Private collection, Washington, D.C.



The Front, 1986, enamel on wood panel, 27 x 38 in.
Private collection, New York.



Untitled (Slow Down Fast), 1986, enamel on steel, 18 x 27 x 2.5 in.



Replicator, 1985, enamel on wood panel, 15.5 x 21.5 in.



Sculpture: Container Series, 1983 - 1986



Entrance, 1986, steel, wood, enamel on wood panel, 65 x 31 x 19 in.
Exhibited: Basement Workshop, Catherine Gallery, 22 Catherine St., New York, 1986.



The Elephant Man, 1985, painted steel, wood, 114 x 42 x 42 in.
Exhibited: Contemporary Sculpture at Chesterwood, Stockbridge, MA, 1985.



The Big Civ, 1983-5/2001-5, wood, structolite, 72 x 123 x 39 in.
Exhibited: Contemporary Sculpture at Chesterwood, Stockbridge, MA, 1985.  Unpainted version exhibited at Basement Workshop, Catherine Gallery, 22 Catherine St., New York, 1985.















From the Container Series: Civilization (S.O.S.), 1983, steel, wood, 5 x 10 x 4 in.
Exhibited:  Basement Workshop, Catherine Gallery, 22 Catherine St., New York, 1985.



Ode, 1983-4, wood, 108 x 96 x 96 in.
Exhibited: Contemporary Sculpture at Chesterwood, Stockbridge, MA, 1984.  Earlier version exhibited in Spare Parts, Central Park, New York, 1983 (destroyed).















ARS(E) DECORATUM, 1985/2005, steel, wood, plywood, paint, 124 x 192 x 60 in.
Exhibited: Four by Four, White Columns, New York, NY, January 1985; 2005 Kingston New York Sculpture Biennial, Kingston, NY.



ars(e) decoratum, 1984, steel, wood, ink on paper, 20 x 24 x 5 in.
Exhibited: Pompei Gallery, New York, 1986; The Maquette Show at the Arts Society of Kingston Gallery, 2005.



Artifact (I Have No Head), 1984, steel, wood, 37 x 56 x 31 in.
Exhibited: Hudson River Contemporary Artists, Hudson River Museum, Yonkers, NY, 1984.




Untitled (detail), 1983, steel, wood, 43 x 24 x 24 in.
Private collection, New York.